Posts Tagged: recording

2020 Summary

December 12 drums, lydia evangeline, miles horn, music, recording, remote sessions, samuel lane, samuel nicholson, session, the factory

2020 was a difficult year for everyone, particularly musicians and creatives. My last live gig before the pandemic hit was on 12th March, and like everyone else I struggled to stay afloat for the rest of the year. Fortunately I was able to continue teaching online via Zoom, and I did more recording than ever, both remotely and in studios when restrictions were briefly eased. Here are a few highlights from the projects I was able to get involved with in 2020.

Lydia Evangeline

When lockdown began I was unable to access my usual studio and rehearsal spaces, and eventually resorted to setting up my drums and recording gear at home in my tiny flat. As well as working on a series of Corona Collab videos (https://www.youtube.com/watch?list=PLF-CthqlVBKVVs9VUlByko_mV_4X0T2dX&v=VLkQQRk3hhw), I got called to track for a few different artists. One of these was Lydia Evangeline, whose producer Matt Fury asked me to play on the song ‘Strange’. I was really happy to be involved with this one – Lydia’s songwriting is great, and musically it was right up my alley: the reference was even Phoebe Bridgers, one of my favourites. The song was released in July, receiving international radio play and almost 100K streams – not bad for drums recorded in a living room!

Samuel Nicholson

In September I was fortunate enough to play on an album for Samuel Nicholson, another great singer/songwriter whose previous work I love. We recorded it at 123 Studios in Peckham, a lovely spot with some amazing gear, and tracked nine songs live as a band over two days. This was pretty intense, but fun, and I’m really happy with how they all turned out. I used the studio’s 1966 Ludwig Super Classic with my 1954 Leedy & Ludwig snare for the entire record, just tweaking tuning, dampening and changing cymbals on each song. Here are a few clips from the sessions:

Vineyard St Albans

I’ve been part of the worship team at Vineyard for several years now, usually playing on Sundays to a congregation of hundreds, but during lockdown we were forced to start recording acoustic sets remotely. I produced several of these at home with my wife, but in the summer we moved to doing socially-distanced full-band sets at The Factory studios in Harpenden. These were all recorded and filmed by Eduardo and Leidy Vieira, both of whom are super talented and generous with their time and gifts. It’s been a pleasure not only to serve our local church but to play regularly with great musicians and friends in the absence of gigs. Below is a recent set with Samuel Lane.

Miles Horn

Towards the end of the year I also started working out of The Factory for my remote sessions. It’s a killer room and I think I’m getting my best sounds yet – I’m really grateful to Eduardo and the rest of the team for letting me use the space. My first project there was an EP for Miles Horn, who I originally played with back in 2013. It was great to catch up with Miles and work with him again on some new tunes, and I’m really looking forward to hearing the finished record.

Here’s a quick video showcasing some of the sounds from The Factory, going from completely raw to mixed then adding some overdubs. Get in touch if you need drums or percussion on your music!

I’m so grateful to everyone who hired me or made music with me in 2020; it’s always appreciated but now so more than ever. Hopefully 2021 will bring better and brighter times all round.

Corona Collabs

June 6 coronacollab, groove, recording, remote sessions, studio

While the world has been in lockdown during the coronavirus pandemic, like many musicians I’ve been finding alternative ways to get creative and continue playing with others.

Unable to access my usual studio space, I set up drums in the living room of my small flat just outside London – I’d never attempted this before due to space and noise concerns, but was left with no alternative during lockdown. It worked well and sounded surprisingly good, so I recorded and filmed a few grooves that eventually turned into a series of Corona Collab videos.

I sent the audio files to some of my favourite players in the UK and US, who tracked their parts then sent them back for me to mix and edit (with the exception of the first video, which was put together by Hunter). I didn’t specify anything musically, leaving it up to the musicians’ own judgement and taste; I’m super happy with what everyone played and how all the grooves came together.

Although I knew all the guys involved, each video features a combination of musicians that have never played together before in person – it’s been really fun to bring people from different worlds together and see how our styles blend. I’ve been missing playing live and doing traditional sessions over this period, but this has been a really fun creative outlet and method of collaborating which almost certainly wouldn’t have happened otherwise.

Huge thanks to Hunter West, Harry Phillips, Matt Aston, Ross Spurdle, Jude Smith, Matt Dinnadge, Charlie Thornton and Jack Shepherd for their time and playing: they’re all amazing musicians and worth checking out and following. All four Corona Collabs can be found below.

2017 Summary

December 12 drummer, drums, festival, gig, holiday oscar, istanbul agop, LOOP, lucio & dina, marc james, music, recording, remote sessions, session, simon treasure, studio, tour

This time I thought I’d just pick a few of my favourite moments from the year.

Favourite Gig

Playing with Holiday Oscar at Bestival in September was a real highlight. Everything came together for this show – the vibe was super relaxed and fun, the band gelled together with minimal rehearsal and the crowd responded really well, singing along by the end of the set. I loved recreating Charlie’s songs live and choosing which kit/percussion parts to play. I ended up with different implements in each hand for every song, using a mixture of sticks, brushes, mallets, tambourines and a shaker as in the above track.

Favourite Tour

https://www.instagram.com/p/BVNiuZHFDzd/?taken-by=callmeloop

In May I went on a short European run with LOOP supporting Jonas Blue, hitting Cologne, Amsterdam, Paris and London. As well as playing drums, I edited the above tour video. It was amazing to play in new countries and some great venues, my favourite probably being Luxor. We sustained a few technical issues, but these were all overcome and the shows went great. Tickets for LOOP’s first headline show on 17th January available here.

Favourite Session

I recorded drums for Lucio & Dina Santana’s album Amor/Love in July. We tracked 11 songs in an 8 hour session (including setup), which is the most I’ve ever done. With the exception of one song I hadn’t heard any of the tunes before, so it was a case of listening to the demos, briefly discussing parts, doing 2 or 3 passes then moving on. Despite the time constraints it was a really rewarding session and I’m pleased with how the record came out. Stylistically it ranges from CCM pop/rock to more acoustic songs and even bossa nova on one track. My ’70s Ludwig kit sounded perfect in the room we used, and it was great to work with Marc James again, this time in the role of producer.

I’ve also done more remote session work this year – get in touch via simon@simontreasure.com to talk about recording drums for your project.

Thanks to everyone I worked with in 2017, looking forward to more next year.

2016 Summary

December 12 atiptoe, band, gig, harry phillips, longfellow, LOOP, marc james, recording, session, studio

This year was another busy one, filled with fun and varied gigs. Here’s a little of what I got up to with the 5 main projects I’m involved in.

Harry Phillips

In January we tracked Harry’s first album, English Americana, at Resident Studios. Several songs were recorded live as a band, which is always a great way to work, and my vintage Ludwig Super Classic sounded beautiful in the live room at Resident. Drums for some of the other tunes were tracked remotely at my studio space, which worked well – Tom Hill did a great job of mixing the record. English Americana got some airtime on BBC 3CR over the summer, and we played a few shows in support.

Atiptoe

Atiptoe released our mini-album +Venture in May. I put a lot of work into this record, from writing, recording, playing drums and keys to designing the artwork and editing promo videos, so it was great to finally get it out in the world. We then went on tour with Redwood, hitting Brighton, Bristol, London, Nottingham, Hertford and Bracknell. I’m taking a step back from playing live in the band – it’s been an amazing 6 years with some of my closest friends and I’m really proud of the music we’ve made together, but my energy’s focused on other projects for now.

LOOP

I started playing in LOOP’s live band this year, and got to do some great London shows and festivals. I also took more of an MD role on this gig, creating playback and designing a setup that would best recreate her electronic pop sound. Playing-wise the gig is very different to everything else I’m doing, with much more of a focus on precise parts and sounds. LOOP had the Introducing Track of the week on Radio 1 in December and is releasing an EP soon through M:UK; I’m looking forward to working with her more in 2017.

Marc James

Marc launched his album Promise in October 2015 but it was this year that we promoted it extensively, playing shows at churches all over the UK. I grew up listening to Marc on the old Vineyard records and love his music, so it’s been an absolute pleasure to get to play drums for him. Towards the end of the year we also got involved with Dave Griffiths’ Big Window tour, taking worship music to secular venues in cities including Oxford, Southampton and Bristol. Each night featured sets from Dave, Marc and Danny O’Callaghan, all brilliant Christian artists and songwriters.

Longfellow

Longfellow played our biggest headline show yet in February, at Bush Hall. We then spent the rest of the year working on our debut album after signing a publishing deal with Cooking Vinyl in June. The record was tracked at Toy Rooms studio in Brighton with producers Andy Britton and Mike Rowe, who were great to work with. We pulled each song apart and worked on their arrangements; once these were set, we recorded them live as a band and then overdubbed other parts as needed. It was amazing to have more time to experiment with tones and parts, and I’m really happy with both my playing on the album and how it sounds as a whole. Look out for the record next year.

Follow me on Instagram and Twitter @treasuredrums for regular updates.

Gear List

February 2 gear, istanbul agop, recording, remote sessions, session, simon treasure, studio

Below is a list of the gear I’m currently using in the studio and live.

RECORDING GEAR

Universal Audio Apollo x8p interface
Audient ASP880 pre-amp
2021 Apple MacBook Pro M1
Logic Pro X

MICROPHONES

Kick In: AKG D12VR
Kick Out: Neumann TLM 103/Warm Audio WA47-Jr
Snare Top: Shure 545SD/Shure SM57
Snare Bottom: AKG C391B/Shure SM57
Toms: Sennheiser MD421
Overheads: Neumann KM184 x2
Knee: Shure SM7B
Hi-Hat: Shure SM7B/SE Electronics SE8
Close Room: Cascade Fathead
Far Rooms: Audio-Technica AT4033a x2

KITS

Ludwig 1970 Super Classic (22×14/13×9/16×16)
Beverley 1960s New Standard (20×14/12×8/16×16)
Yamaha Oak Custom (22×17/10×8/12×9/14×12/16×16)

SNARE DRUMS

Ludwig 1965 Acrolite (14×5)
Ludwig Acrolite (14×6.5)
Ludwig Supraphonic 402 (14×6.5)
C&C Copper Over Brass (14×6.5)
Eames 1981 Rosewood (13×3)
DW Design Maple (14×5)
Leedy & Ludwig 1954 ‘The Reliance’ (14×6.5)
Ludwig 1968 Legionnaire Parade Drum (14×10)

BASS DRUMS

Premier 1960s/70s marching bass drum (28×10)

CYMBALS

Istanbul Agop 10″ Xist Ion Splash
Istanbul Agop 10″ Xist Dry Dark Hi Hats
Istanbul Agop 15″ Traditional Medium Hi Hats
Istanbul Agop 16″ 30th Anniversary Hi Hats
Istanbul Agop 18″ Traditional Dark Crash
Istanbul Agop 20″ Traditional Dark Crash
Istanbul Agop 20″ Xist Crash
Istanbul Agop 20″ Signature Ride
Istanbul Agop 22″ Traditional Medium Crash
Istanbul Agop 22″ 30th Anniversary Ride
Istanbul Agop 22″ Mel Lewis Ride
Istanbul Agop 23″ Matt Chamberlain Ride
Zildjian 14″ 1960s A Hi Hats

ACCESSORIES

Vic Firth 55A sticks
Remo Heads (Coated Vintage Ambassador or coated Controlled Sound on snare, coated Vintage Ambassador on toms and clear or coated Powerstroke 3 on bass drum)
DW Hardware (3000, 6000 and 9000)
Snareweight M1 and M80
Big Fat Snare Drum mutes
Roots EQ mutes
Drum Tortillas
Various Keplinger, Tackle Instrument, Index Drums and Upcycled Percussion accessories

ELECTRONICS

Roland SPD-SX
Roland KT10, RT-30HR & RT-30K triggers
Cymatic Audio LP-16

VIDEO

Sony A6300 camera (Sigma 16mm f1.4, Sony 35mm f1.8, Samyang 12mm f2.0)
Adobe Premiere Pro CC